"Mariah Let Her Hair Down...:" Donatella Versace Reviews MIAMTEC

Seems like everybody wants to weigh in on MIAMTEC these days. Obviously inspired by this blog, designer and important plastic person Dontella Versace has now thrown her hat into the ring. In a Vogue exclusive, Donatella opens up about what Mims has meant to her, favorite tracks from the new album, and what it's like to be friends with Mariah...The Conclusive Caboose (< new thing I just invented).

 Mariah Carey is such an important part of my life, it feels like I've known her forever. 

Word! With ya so far, Donz.

 The first time I met her was at one of my fashion shows. Straightaway, she made me laugh, and I knew immediately that we'd be friends.

What did she saaaaaay? Need the deets! Probably something like, "Have you SEEN what Thalía is wearing??" (*Insider Tommy Mottola joke for the lambs).

A few years later, Mariah had a day off from her world tour, and she flew from Sweden to Milan, just to come see one of my shows. That season, Beyoncé was also my guest, and the two together caused a sensation. Mario Testino was there, and he said he felt like he was in heaven.

Straight namedroppin'.

 We had a party that night in the Palazzo Versace which was pure magic. Mariah let her hair down, dancing and chatting with everyone. 

Wheeeeeeeeee!

Like every Mariah fan in the world, I've been desperate for the release of her new album, Me. I Am Mariah… The Elusive Chanteuse. She is a maverick, a woman who doesn't follow the rules, so I wasn't surprised when she released the album in her own way. With this album, Mariah seems to write her own life.

Agree except please don't say "maverick."  I should never be confused as to whether someone is referring to Mims or Sarah Palin.

Donatella then goes on to mention some of her favorite tracks:

• on "You Don't Know What to Do" ft. Wale: "I love how in this track Mariah's vocals contrast with Wale's rapping, it's like poetry." This reviewer says: have you listened to much hip-hop? You might like it!
• on "Meteorite:" "'Meteorite' is so fantastic. It is upbeat, and it is fabulous." This reviewer says: Actually it is the weakest track on the whole album. Look out for a future blog about "Meteorite" and musical pablum.
• on "One More Try:" "...I feel that Mariah really understands every word that [George Michael] has written. At times her voice is angelic, at times pleading and then, towards the end, it goes into a crescendo reaching amazing heights. I'm sure that George would be very proud of Mariah's version of his much-loved song." This reviewer says: Fair enough, plus props for not trying to change "uptown boy" to "uptown chick" or some such nonsense. Enjoy.

A Moveable Feast

Mariah Carey, "Heartbreaker (Remix)," 1999

As I'm sure anyone with a background in dance, skating, or gymnastics can tell you, there are certain songs that just cry out to be moved to. The flowing movements that are possible with skates on are the perfect companion for a (preferably '70s-inspired) fun, laidback beat. Happily, Mims' oeuvre is full of such movable music. One song that has caught my ear from MIAMTEC lately is "You Don't Know What to Do" ft. Wale, a disco-y soul extravaganza that is a confection for the ears and has me longing to tie on some roller skates even though I can only awkwardly clunk around. But I feel so free!



The vibe of this song feels similar to that of "I'll Be Lovin' U Long Time" from 2007's E=MC2, a party favor of an album that seemed like a congratulatory gift to herself after the massive success of Emancipation. Easy, breezy, sunny, drunk summer roller skating. Yes.



Funnily enough, there is actually a Mims video that features roller skating, although the song doesn't make me want to clunk it up like the the above two do: the "Heartbreaker (Remix)" ft. Da Brat and Missy Elliot. Watching the video again today, I (of course) appreciated it on fresh levels. First, Mims is so beautiful, and 1999 was really when she was coming into her own. Out from under the thumb of Tommy Mottola, the late '90s saw our girl frequenting clubs and sucking on lollipops. Innocent, carefree days! Second, the remix video offers its own spin on the video for the original song, featuring Mims and her evil double wrestling in goo (?). Thirdly there is an obligatory car wash scene (makes Jessica Simpson look like an amateur) that features Snoop Dogg casually surveying this spectacle from the driver's seat, a nice touch as he's not featured on the track but his song "Ain't No Fun (If the Homies Can't Have None)" is liberally sampled. Happy Friday everyone.