"Yet another early morning and you walk in like it's nothing
Hold up, hold up, hold tight
Ain't no donuts, ain't no coffee..."

~ It's a Wrap, Memoirs of an Imperfect Angel, 2009


Showing posts with label Meteorite. Show all posts
Showing posts with label Meteorite. Show all posts

Thursday, July 31, 2014

I Luh Ya Mimi

Sometimes there are Mariah songs where it seems like she's phoning it in. Don't get me wrong -- I don't skip these tracks in the car, usually I'm singing along anyway -- but these are songs that just feel like album-fillers or last minute additions, not up to spec in terms of vocal and lyrical quality.

However, these "off-days" for Mims represent a level that is still aspirational (am I like my boss, making up words?) for most everyone else in the game. The song that spurred these thoughts is "Meteorite" from Mims's latest album, Me. I Am Mariah...The Elusive Chanteuse (MIAMTEC). "Meteorite" begins with some mumbo jumbo where Andy Warhol is deliberately misquoted.

Yeah
Andy Warhol said "in the future, everybody will be famous".
No, he said "everybody will be WORLD famous... 
for fifteen minutes."

I mean, why? Anyway, the song then launches into its disco-y beat and a vague discussion of fame and celebrity culture that uses the metaphor of a meteorite (which is actually a piece of space junk usually made up of metals, rocks, or both, because factz). The song is "just ok for me, dawg" to quote the great Randy Jackson. Several times while listening, I've thought, "this is really more of a song for J.Lo..."


J. Lo is a workhorse. Girlfriend has released 10 --TEN -- albums, including compilations. Did anyone know this? J.Lo has been a staple of mine since college, the type of cd you put on when you have to mop your kitchen floor or pack your books into boxes because you're moving and then you get caught up reading one of the books while you're packing it, and then two hours go by and then you fall asleep. Meanwhile, "Ain't That Funny" plays softly in the background.

Recently I heard her newest offering to the world, "I Luh Ya Papi." Having studiously avoided it for months because of the title alone, I had to admit that it's...pretty damn catchy. It's strong -- stronger than "Meteorite" -- so why I am so quick to relegate Mariah's proverbial day-old Chinese leftovers that were left on the counter all night to Ms. Lopez? And why don't I have J. Lo in heavy rotation right now?

I guess what I celebrate in J. Lo disappoints me in Mariah, simply because of the baseline from which each is working. Perhaps I need to rethink this hierarchy I seem to have devised over the years and find a new way to appreciate this space of qualitative overlap, so accurately pictured here.

In the meantime, I luh ya Mimi, and this one's for you.


Tuesday, June 24, 2014

"Mariah Let Her Hair Down...:" Donatella Versace Reviews MIAMTEC

Seems like everybody wants to weigh in on MIAMTEC these days. Obviously inspired by this blog, designer and important plastic person Dontella Versace has now thrown her hat into the ring. In a Vogue exclusive, Donatella opens up about what Mims has meant to her, favorite tracks from the new album, and what it's like to be friends with Mariah...The Conclusive Caboose (< new thing I just invented).
 Mariah Carey is such an important part of my life, it feels like I've known her forever. 
Word! With ya so far, Donz.

 The first time I met her was at one of my fashion shows. Straightaway, she made me laugh, and I knew immediately that we'd be friends.
What did she saaaaaay? Need the deets! Probably something like, "Have you SEEN what ThalĂ­a is wearing??" (*Insider Tommy Mottola joke for the lambs).
A few years later, Mariah had a day off from her world tour, and she flew from Sweden to Milan, just to come see one of my shows. That season, BeyoncĂ© was also my guest, and the two together caused a sensation. Mario Testino was there, and he said he felt like he was in heaven.
Straight namedroppin'.
 We had a party that night in the Palazzo Versace which was pure magic. Mariah let her hair down, dancing and chatting with everyone. 

Wheeeeeeeeee!
Like every Mariah fan in the world, I've been desperate for the release of her new album, Me. I Am Mariah… The Elusive Chanteuse. She is a maverick, a woman who doesn't follow the rules, so I wasn't surprised when she released the album in her own way. With this album, Mariah seems to write her own life.
Agree except please don't say "maverick."  I should never be confused as to whether someone is referring to Mims or Sarah Palin.

Donatella then goes on to mention some of her favorite tracks:
  • on "You Don't Know What to Do" ft. Wale: "I love how in this track Mariah's vocals contrast with Wale's rapping, it's like poetry." This reviewer says: have you listened to much hip-hop? You might like it!
  • on "Meteorite:" "'Meteorite' is so fantastic. It is upbeat, and it is fabulous." This reviewer says: Actually it is the weakest track on the whole album. Look out for a future blog about "Meteorite" and musical pablum.
  • on "One More Try:" "...I feel that Mariah really understands every word that [George Michael] has written. At times her voice is angelic, at times pleading and then, towards the end, it goes into a crescendo reaching amazing heights. I'm sure that George would be very proud of Mariah's version of his much-loved song." This reviewer says: Fair enough, plus props for not trying to change "uptown boy" to "uptown chick" or some such nonsense. Enjoy.