Mariah often throws a cover on to the latter halves of her albums. Some are wildly successful, like her cover of Prince's "The Beautiful Ones" on Butterfly. Some are less inspired ("I Want to Know What Love Is," MOAIA). Since it's 2014 release, I've thought that Me...I am Mariah: The Elusive Chanteuse contains one of her finest covers: George Michael's "One More Try." As I've written in these pages before, one of the most gratifying aspects of this song is that M retains the male identity found in the lyrics, i.e. not changing "uptown boy" to "uptown chick" or something ridiculous like that.
Since George Michael's passing this song has been on my mind, and I discovered this lovely fan-made "duet" on YouTube that lays the two vocal tracks over each other. You can hear how closely she hews to the original in the first verse, with slightly more alteration (although still very faithful) in the second verse. And her interpolations during the break are spot-on in emulating the song's tone while putting her original spin on it. It's really unexpectedly lovely to hear these versions together. Enjoy.
Like every other patriot, I took the opportunity this past Friday to celebrate the 238th birthday of the American experiment by listening to Mims's cooing slow jam from 1997's Butterfly, "Fourth of July."
While generally pleasant, I have always found this tune to be relatively unmemorable. In fact, the only reason it ever comes to mind for me is the somewhat uncomfortably close resemblance it bears to a tune from Mims's previous 1995 album Daydream -- "Underneath the Stars." A superior song musically and vocally, and supposedly one of Mims's personal favorites (which is why it was included on the two-disc 2001 Greatest Hits compilation), "UTS" is undoubtedly the sonic predecessor of "Fourth of July."
Curious about the similarities between the two songs, I did a bit of googling and was unsurprised to learn that the songs shared a co-producer (other than Carey) -- Walter Afanasieff, a Grammy-winning songwriter and producer with whom Carey worked on her debut album through 1997's Butterfly. Incidentally, Afanasieff also co-produced one of Mims's biggest hits of all-time, "One Sweet Day." Perhaps thankfully, Jermaine Dupri pretty much took over the role of Mims's star co-producer after she rerouted her musical direction in the late 1990s, collaborating with her on 2005's "We Belong Together."
So, mystery solved. However, while I was on Butterfly's Wikipedia page (yeah yeah), I came across nothing less than a bombshell, readers: the collaborator on Butterfly's cover of Prince's "Beautiful Ones" -- one of the album's strongest tracks -- is no one less than SisQo, the man responsible for 1999's aural affront, "Thong Song." How? Why? I will be available for dialogue as we all struggle to regroup after this troubling revelation.
In closure, and with America in mind, I'd like to share this pic I found on Tumblr a few years ago:
The picture's caption reads as follows:
Mariah Carey’s father is Afro-Venezuelan. Her grandfather’s name was Roberto Nuñez but he changed his surname to Carey in order to assimilate upon arrival to the US.
Mariah Carey would’ve been…. Mariah Nuñez. I wonder how that surname change would have altered the course of her career.
Just some food for thought as we ponder today's vitriolic immigration debate and remember the immigrants (and of course the slaves) that built America's economy.
